EXHIBIT 01 i AYT EXPLORES 'TOUS LEGER' AT MUSEE DU LUXEMBOURG
On a bright afternoon in Paris, we wandered from the quiet elegance of the Jardin du Luxembourg into a riot of colour next door. The museum’s Tous Léger! This exhibition promised boldness, and it delivered—from the moment you step inside, it’s as though the palette has been turned all the way up.
At AYT Studio, we believe emotion can be carried, in a silhouette, in a gesture, in a piece of art you make your own. This exhibition explores this same feeling: the power of lightness.
The Language of Color
Each room bursts with colour: Yves Klein’s pure blue, Niki’s saturated rainbows, and Martial Raysse’s almost neon palette. One shimmering sculpture evoked a flock of birds; another—a perfect splash of Yves Klein blue—sat like a gemstone in the space. While most of the works were two-dimensional, there were surprises throughout.
A Dialogue Between Body, Object, and Space
Playful, irreverent, intimate.
The exhibition celebrates themes we hold dear: liberated bodies, object reinvention, and the presence of art in daily life — all echoed in our own wearable stories.
Elegance in Motion
The women portrayed in the exhibition, like the iconic Blue Venus, embody a powerful sculptural presence—bold, free, and timeless. By emphasizing the belly and breasts, Klein turns her into a symbol of life and origin.
At AYT Studio, we imagine another perspective. The body is not a symbol—it is a story.
Tous Léger ! — Until July 25, 2025
Musée du Luxembourg, Paris 6e
Exhibit 02 | AYT Explores “Worth” at the Petit Palais
It began with a man, a vision, and a woman wearing his designs. Inside the golden halls of the Petit Palais, we step into the world of Charles Frederick Worth—the British-born designer who created the very concept of haute couture. But long before runways or fashion week, there was Marie Vernet.
The First Mannequin
She wore Worth’s designs with such quiet power that desire followed. Not a model, not a muse—she was the first mannequin. A silhouette, a presence, a beginning. This exhibition reminds us that before there was a house, there was a woman.
A Dynasty in Detail
More than 400 pieces span over a century of craft. Silk, lace, velvet—each garment speaks in silhouette. One gallery evokes a chateau’s daily ritual: morning suits, afternoon wool, five o’clock gowns, décolleté evenings. Every hour had its posture. Every posture, a mood.
Fashion as Identity
At AYT Studio, we believe a silhouette is a form of language. A line, a gesture, a choice—it all speaks. We don’t design for performance. We design for presence. And in the world of Worth, we see this reflected: fashion not as decoration, but as declaration.
Worth. Inventer la Haute Couture — Until September 7, 2025
Petit Palais, Avenue Winston Churchill, Paris 8e
EXHIBIT 03 I AYT EXPLORES "AU FIL D'OR" AT MUSEE DU QUAI BRANLY
From Cairo to Kyoto, gold has long been more than ornament—it is memory made visible.
Gold as Legacy
The exhibition Au fil de l’or, currently on view at the Musée du Quai Branly – Jacques Chirac, reveals how gold has long been a sacred thread in global dress. In India, a sari glows with spiritual fire. In China, a wedding robe holds the hopes of generations. In Morocco, a caftan shimmers with celebration. Across continents, gold is not simply worn—it is carried, like a legacy.
Transmission Through Thread
Gold is passed from hand to hand, woman to woman. It is a language of continuity. At AYT Studio, we honor this form of transmission—through thread, gesture, and textile. Each piece we create is not just designed to shine, but to speak. Every stitch carries intention. Every silhouette is a declaration.
AYT Studio: Radiance From Within
Our approach is rooted in reverence—for craftsmanship, for meaning, and for the inner light of the woman who wears our designs. She does not borrow the light. She is the source. Each AYT garment is sculpted to reflect that quiet power—an internal brilliance shaped into form.
EXHIBIT 04 I AYT DISCOVERS “KANDINSKY, THE MUSIC OF COLOURS” AT THE PHILHARMONIE DE PARIS
At the age of thirty, Kandinsky discovered two twin passions — painting and music. Without any formal training, he threw himself into both with fervor. It all began with a shock — hearing Wagner’s Lohengrin in Moscow — which revealed to him the hidden harmony between sound and color.
Color as language
For Kandinsky, color has a voice. It vibrates, resonates, rises. He sought to paint as one composes a symphony, each shade becoming a note, each form a rhythm. His series of Improvisations and Compositions embody this ambition — to paint as one composes a symphony. At the Philharmonie, his canvases converse with the music of his time, revealing his desire to unite the arts and reach the purity of sensation.
The boundless impulse
What moves us most is his conviction that it is never too late to begin. Kandinsky embraced art at thirty, guided by the belief that creation knows no age. A faith that resonates deeply with women today, so often urged to achieve early. His life reminds us that impulse, not age, is the true measure of possibility.
AYT Studio: color as emotion
At AYT Studio, color is also a language. It speaks of light, inner strength, and harmony. Like Kandinsky, we believe in the meeting of the arts — painting through fabric, composing through material. Each garment becomes a work in motion.
Kandinsky. The Music of Colours — Until February 1st, 2026, Philharmonie de Paris, 221 avenue Jean-Jaurès, 75019 Paris